The character of the clay and the effects of fire in the kiln are allowed to speak, as Carolle does not use glazes, preferring the addition of mineral oxides to give earth colours.

‘Haniwa’ is the name given to the sculptures, which derives from the Japanese custom of the 6th century, when clay cylinders were placed around the base of large burial mounds, to prevent erosion. Over time these cylinders were developed to incorporate figures and other everyday objects.

The sculptures come from a deep memory of an ancient world. Relics of a past age – as if dug from the ground – hidden knowledge of other lifetimes. At the same time the figures have a contemporary feel to them.

The sculptures benefit from being seen in a group – as if they are in silent communication with each other.

carolleblackwell2@hotmail.com